For Wednesday: Van Eekhout, “On the Fringes of the Fractal” (pp.194-205)



Answer TWO of the following:

Q1: According to the story, Stat is “determined by a complicated algorithm that factored in wealth, race, genealogy, fat-to-muscle ratio, dentition, and dozens of other variables from femur length to facial symmetry to skull contours. It was determined by the attractiveness of one’s house. The suitability of one’s car” (195). Why is this satirical, and what specifically might it be satirizing in our own world?

Q2: A fractal, as the story explains, “is a pattern that repeats itself. Magnifty it, and you’ll see the same pattern as if you’d reduced it” (200). While the world they live in is clearly a fractal of interconnecting neighborhoods and divisions, what does the title mean—“On the Fringes of the Fractal?” Why might being on the fringe of something help you see reality more clearly—and when do our characters do this?

Q3: Why is the “future” of this story dominated by generic names and places? Why is everything a Peevs Drugs and a Peevs 24-Hour Whatevers—or in the next town, a Wiggins Drugs and a Wiggins 24-Hour Whatevers? Also, why do they seem unaware that another town—with the same stuff, but different names—exists just down the road from their own?

Q4”: When they ultimately find the city, they find not a thriving metropolis but a wasteland—“a sad place, a lost place, a haunted place” (202). Why, then, do they like it so much and never want to leave? What would this city represent to someone who had spent their entire life in Peevs or Wiggins-land?

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