For Monday: Superman: American Alien, “Parrot” and “Owl” (and the two mini-comics between them)

Answer TWO of the following:

Q1: “Parrot” seems to allude to the fact that parrots can imitate human speech and ‘pretend’ to be something they’re not. While Clark Kent is literally pretending to be Bruce Wayne (Batman) in this comic, what other identities is he “parroting”? What does his one-night fling with Minerva teach him about finding his “true” self (or does he)?

Q2: The style of these two chapters is dramatically different from one another and from the pervious comics, as “Parrot” is bright and humorous, while Owl is angular, fuzzy, and tense. Why might Superman in particular be so adaptable to all these different stories and approaches? It might be harder, for example, to tell a Batman or Wonder Woman story this way.

Q3: In “Owl,” Clark Kent meets Superman’s arch-rival, Lex Luthor, and has a one-on-one interview with him (though of course Luthor doesn’t know who he really is). During this interview, Luthor tells him “People aren’t important. Not as a whole...That’s why you see people throughout history rising above the masses. Those are the changers. Those are the doers. You are not important. You’re not. I am.” How are we supposed to read this speech? Is it true? Is he helping Clark to understand/embrace his own identity? Could these words ever be expressed by a superhero? Or are they fundamentally a sociopath’s point of view?

Q4: In the short comic after “Parrot,” which is entitled “The Real Question,” the alien known as Mxyzpltlk breaks down the “fourth wall” and talks directly to the reader. Why are comics able to do this more effectively than a traditional novel? And what does he mean by the sentence, “We are gods. You are just puppets”?